In the beginning, this font had been designed for an affiche work as wood pattern which includes one font and medium weight. The stylish design of this font had been inclined us to create more weights and more styles. Daphne Font Family comes in three weights; normal and italic. Plus two additional styles which are wood pattern and shadow. You can get great wood pattern results with Daphne Font Family; also with colored shadows, you can get gorgeous results in poster works and t-shirt prints. Even in very small type sizes, it can be legible.
OTF | 12 Fonts | JPEG Preview | 4.2 Mb RAR
The Eagle series realizes the ideas behind Morris Fuller Benton’s famous titling, Eagle Bold, the symbol of American recovery, drawn in 1933 for the National Recovery Association. Font Bureau Eagle was started in 1989 for Publish. David Berlow designed a lowercase, finished the character set, and in 1990 added Eagle Book for setting text. In 1994, Jonathan Corum added Eagle Light and Eagle Black to form a full series.
TTF | 4 Fonts | JPEG Preview | 5.1 Mb RAR
OTF | 1.74 MB
Kefa II Pro is an elegant modern typeface with slab-serif origin, large x-height and relatively condensed letterforms that is suitable for both display and text sizes, and performs well on-screen.
Kefa II Pro is a redesign of the Apple system font Kefa. It has an extended Latin languages support and comes in 8 roman styles with their italic companions, small capitals and multiple figures sets.
Briko is a legible hand-crafted type family that comes in two weights. Its little bit bumpy outline and soft edges give it friendly feelings. There are two versions of Briko Family; Briko and Briko Rough(textured). Perfect for a header for an article, posters or for anything needing a legible and neat hand-written type family.
OTF | 12 Fonts | JPEG Preview | 4.5 Mb RAR
Quiroga Serif began in 2007 with the name Quadratta Serif. This typography was designed for continuous text, legible at medium and small sizes, with great saving of space, optimized for 6, 8, 10 and 12 points. The morphology is a mix between tradition and innovation; it has a vertical axis, thick serifs, tall x-height, light modulation and a lot of internal space between letters: key to improve legibility at small sizes.
OTF | 6 Fonts | JPEG Preview | 6.7 Mb RAR
St Patrick is a typeface inspired by medieval inscriptions but adapted to modern typography. In addition to the regular style there are 4 variants that can be combined in layers. Includes smallcaps and alternatives. This typeface is the oblique variant of the font San Benito (also from TipoType).
OTF | 5 Fonts | JPEG Preview | 7.6 Mb RAR
Wurz is a family with 32 variants. Designed for labels, titles and posters. And to play with typography in large sizes! Is a grotesque geometric. Designed on a modular basis.
OTF | 32 Fonts | JPEG Preview | 4.4 Mb RAR
Abitare Sans was originally commissioned by the group Rizzoli Corriere della Sera. It’s a typeface of 30 weights designed to be used in Abitare magazine. The request of the president Mario Piazza was a new CP Company with some redesigned glyphs, but the result is a radical evolution of its concept being intended to be used as a font for text far more readable. In Abitare Sans was kept the geometric structure without neglecting the numerous editorials requirements.
TTF | 30 Fonts | JPEG Preview | 12.4 Mb RAR
Amorie is a tall and skinny hand drawn font. It comes in various weight and styles, and with an array of opentype options. Built to appear completely hand crafted, different designers could produce completely different results, selecting either Modella (classic and chic), Nova (fun and fancy) or SC (Small Caps and all business.) Each style comes in light, medium and bold and has an accompanying italics version. Opentype for this font includes Contextual Alternatives, which produces three versions of each character, making sure no two identical letters appear next to each other thus giving your design a fully authentic look. There are also stylistic alternatives, which offer different style to a select few characters, including capital letters: A, K, R, Q, Y and lowercase letters: a, e, k, t, y. Lastly, is a large set of swashes, 3 for each letter they accompany. For the most part this includes the whole uppercase alphabet as well as lower case letters with an ascender or descender. Amorie includes a large set of graphic extras, including stylish frames, arrows, line breaks, corners, flourishes and more. The complete package gives you one unbeatable font family. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want.
OTF | 22 Fonts | JPEG Preview | 24.6 Mb RAR
Core Deco is an Art Deco Fonts Family which consists of various styles, inspired by some art deco posters from late 1930’s to 1950’s. There are two major styles of this type family. One is thin and elegant, and the other has strong contrast. Each style has alternative shape-like 3-D structures, patterns, outlines and so on. Except for Core Deco, others are named Core Deco A,B,C as their styles. Basically every single font of Core Deco family has geometric shape and two width variations of characters, narrow and wide. Despite the different styles, every font goes well together because of their common parts. Though it’s not intended, some similar styles could be layered together. Core Deco family contains complete Latin 1252, Central European 1250 and Turkish 1254 character sets, and also each font includes support for style alternative features. If you are looking for an art-deco style font which is modern and could be used for various artworks, get this family and save your time.
OTF | 14 Fonts | JPEG Preview | 4.8 Mb RAR
Arya is a display typeface, based on Roman proportions. It has three versions, differentiated by the amount of the drawn lines. Single is solid. Double is sturdy but light. Triple is versatile and includes alternatives. They can be combined in layers. Capsule versions (White and Black) are designed to do quick, simple and elegant labels.
OTF | 9 Fonts | JPEG Preview | 14.4 Mb RAR
The concept of this font is very simple. Wide and Legible, No decorative, just simple. The variety of weights make your design more flexible.
OTF | 36 Fonts | JPEG Preview | 7.2 Mb RAR
LunchBox is a uniquely hand-drawn typeface that gives infinite customizable options and a fully authentic look. Using Lunchbox’s OpenType features gives access to over 1,500 different characters. Contextual alternatives give each letter 4 different character styles, all cycling through each other to ensure that no two letters ever show up together. There is also a custom set of small caps, each with 4 style variations as well. Stylistic alternatives give an extra hand-drawn flourish, loop and slight variation, also with 4 different styles per letter. Discretionary ligatures pertain to both regular all caps Lunchbox as well as stylistic alternatives. It takes special letters and gives a unique interaction with the characters around them, giving your design a unique and personalized look. Swashes also have four style variations to both the regular and stylistic alternatives, as well as lowercase letters with ascenders and descenders. All of these options are available in Light, Regular and Bold and can be purchased with Lunchbox Ornaments for an extra element. If you do not use Opentype but are using a program that includes a full glyph panel, you will be able to access each of the style variations you want.
OTF | 4 Fonts | JPEG Preview | 5.7 Mb RAR
Prosto Sans quality sans serif fonts created for casual use in interactive environments. This font family was based on the legendary Prosto free font. We added in this font family new typefaces and support for many codepages and languages. The fonts are very convenient to use in web, mobile apps and in desktop computers. The font family Prosto Sans contains many languages and alphabets, and is compatible with other TypeType fonts.
OTF | 10 Fonts | JPEG Preview | 4.2 Mb RAR
Inspired by vintage books and the pages within, Appareo is an imperfect, worn serif font that comes in three weights. Each weight is has a varying degree of distress, from Black, in which the press and ink fully set into the page, to Medium, Light and Extralight, where the texture is heaviest. Each weight also has a custom italics version of each character. To fully give the authentic feel of worn pages of dusty of books, Appareo has 5 character variations assigned through Contextual Alternatives using Opentype features. This allows no two same letters to ever be found near each other. Appareo also has a set of graphic elements, including frame, banners, borders, arrows, etc in the same style and texture.
TTF | 9 Fonts | JPEG Preview | 18.1 Mb RAR
XXII Yonia most of all likes packaging, headlines on posters and flyers, and it really loves to be a logo for something with food or toys. It comes along with a lot of alternate letters so you can customize the look with swashes and alternates here and there.
OTF | 5 Fonts | JPEG Preview | 5.3 Mb RAR
Ragazza Script isn’t just another display typeface. It honors the greatest handwriting skills but in a different way. Although It doesn't represent any traditional calligraphy style, it is still part of that expressive world. With more than 1000 glyphs, and taking advantage of the Opentype features, Ragazza is full of personality. When in use, it gives a feel very close to ornamental Copperplate mixed with some kind of modern 'high-contrast' typeface. Lots of alternates, swashes and initial capitals are the spine of this face, assuring almost infinite combination possibilities. The early forms that would eventually lead to what Ragazza is today, began as a college project –around 2006– in the context of the ‘Hyperfuente’ exercise developed during Typography 2, chair E. Longinotti, at the University of Buenos Aires. But that seed would never stop growing. Since then a lot of work had been made to take that initial project to a professional quality level. Ragazza Script is perfect for headlines and short phrases. It is the brand new modern script, designed by Guille Vizzari and published by Latinotype.
OTF | 1 Font | JPEG Preview | 5.9 Mb RAR
A practical sans serif need not appear dry, constructed, or derivative. It can excel in its sensible role and yet possess a distinct flair. Iskra (spark or flash) is a new sans serif designed by Tom Grace. It was conceived to challenge the limits between utilitarian and decorative. Sporting a low-contrast profile, it is a study of bridled energy in the Cyrillic and Latin scripts. Its eye-catching forms are an oblique tribute to the less-predictable style of brush lettering, and contain daring, elegant curves, economical proportions, and a slight top-heavy asymmetry. Its warmth comes from the subtle emphasis on the structures and details of individual letterforms, whereas its solidity is demonstrated through its balanced rhythm over long spans of text. Each font supports over 75 languages and is hand-tuned for a pleasing legibility and aesthetic both in print and on screen. This type family makes an excellent choice for presentations, articles, branding, and advertising. Available in 14 styles, Iskra represents a fresh, stimulating, forward-looking perspective on how we see both the vitality of the particular letter and the overall harmony of text. Iskra is available in three different character repertoires: Iskra, complete set — Iskra CYR, Cyrillic-based subset with a Latin supplement — Iskra Cyr, Latin-based subset. Both the LAT and CYR series conform to most standard codepages used by typical software covering their respective scripts. All three series have similar OpenType functionality."
OTF | 14 Fonts | JPEG Preview | 4.6 Mb RAR[center]
Brandon Text is the companion of the famous Brandon Grotesque type family. It has a higher x-height than the Grotesque version and is optimized for long texts, small sizes and screens. This sans serif type family of six weights plus matching italics was designed by Hannes von Döhren in 2012. Influenced by the geometric-style sans serif faces that were popular during the 1920s and 30s, the fonts are based on geometric forms that have been optically corrected for better legibility. Brandon Text has a functional look with a warm touch and works perfectly together with Brandon Grotesque. It is manually hinted and optimized for screens, so it will be a good choice for Websites, eBooks or Apps. The whole Brandon series is equipped for complex, professional typography with different sets of numbers, alternate letters, fractions and an extended character set to support Central and Eastern European as well as Western European Languages.
OTF | 12 Fonts | JPEG Preview | 5.2 Mb RAR
Core Sans G is constructed of straight, circular or square shapes. These geometric shapes are inspired by classic geometric sans (Futura, Avenir, Avant Garde etc.). Every stem is a rectangle or a straight line and every letter, lowercase or uppercase, seems to be in perfect geometric form and even weighted. The small x-height makes readability clean and clear. Core Sans G can be used equally well in headings or in body copy. The Core Sans G Family consists of 9 weights (Thin, Extra Light, Light, Regular, Medium, Bold, Extra Bold, Heavy, Black), 3 for rounded (Medium, Bold, Extra Bold) with maching Italics. It also included 4 effects fonts (Outline, Neon, Shadow, Dimensional), Alternate Characters (a,g,t) and a bunch of ligatures. The Core Sans G provides a wide range of character sets to support (Cyrillic, Central and Eastern European characters) and advanced typographical support with features such as proportional Figures, tabular Figures, numerators, denominators, superscript, scientific Inferiors, subscript, fractions, standard ligatures, discretionary ligatures and stylistic alternates. Core Sans G is an ideal font family for use in magazines, web pages, screens, displays, and so on.
TTF | 28 Fonts | JPEG Preview | 9.4 Mb RAR
The new Solomon type family includes 12 very unique design styles. These twelve designs are divided into two main style groups—text family and display (or decorative) family. The Solomon text pack is characterized by excellent legibility, well-finished geometric designs, optimized kerning etc. Solomon is most suitable for headlines of all sizes, as well as for text blocks that come in both maximum and minimum variations. The Solomon deco pack is created using ornamental work with organic forms at the heart of the design base. The use and combination of both groups - deco and text family, is highly recommended in order to attain maximum desired effects.
TTF | 12 Fonts | JPEG Preview | 6.1 Mb RAR
This typeface was inspired by the font Pabst Heavy, designed by Chauncey Hawley Griffith in 1928 for Linotype. Because of its formal characteristics, recalls the popular Cooper Black and probably was the reaction of Linotype to counter the popularity of this font distributed by the “American Type Founders” was acquired. It’s a heavy typeface, ideal for headlines or for use in creating logos, rounded shapes and gestures evoke dynamism and make it perfect to highlight specific words or phrases.
OTF | 2 Fonts | JPEG Preview | 4.1 Mb RAR